Viewing entries tagged
Hotbed Theatre Festival

Park Benches, Lemons and an Olivier Nominee

Park Benches, Lemons and an Olivier Nominee

Things are powering along here in the Menagerie offices.  Part of our team were rehearsing in the beautiful new building at Hills Road yesterday, and our ASM, Bryony, was totally inspired by the stunning coloured windows.  They do sound amazing!  Thanks Hills Road for helping us out with rehearsal space!  

Bryony has also come up trumps and found a park bench we can borrow for our play 'The Summer Before Everything'.  Saves us from stealing one from Parker's Piece (only joking!). Finding props is a busy job and people are running all over Cambridge finding the right bits and bobs to bring our Hotbed plays to life: wigs, candlesticks, a washing line, 18th century window, lemons, loaf of bread with money hidden in it...the list goes on.

We are also really excited about our guest shows and have started to arrange accommodation for visiting companies.  If you haven't already booked tickets for 'Ross and Rachel', don't miss this little gem.  It has an impressive list of accolades, and has been described as 'a startling piece of new writing' by The Stage. Written by 2015 Olivier Nominee, James Fritz, the play tells the mind-bending, heart-breaking story of what happens when a couple that was always meant to be together, gets together.  And stays together!  It was a sell-out hit in Edinburgh and in New York.

Anyway, hope to see you at Hotbed!

Mhari I Producer






Croissants, Worms and Chevalier d'Eon!

Croissants, Worms and Chevalier d'Eon!

There’s nothing better than getting to the office early and being greeted by your boss with croissants! I guess the early bird really does get the worm, and when I say ‘worm’, I mean super tasty croissant, yum!

Apart from being Menagerie’s wizard of social media, I have also (as of last Monday afternoon) been cast for a role in a new play ‘Chevalier d’Eon’ by award-winning, laptop-eating (there’s photographic evidence on our Facebook page!) playwright, Ed Harris. I’ve been in rehearsals this week and it’s been an awesome experience, as a fresh faced university graduate, it is amazing to be a part of one of the things that makes Cambridge truly great - it’s theatre scene. I’ve had the great pleasure of shadowing the Hotbed Festival’s Producer Mhari; she is truly dedicated to the festival, loves pranking Patrick and Paul and is an awesome mentor! 

As an Intern, my role is varied and I am involved in each corner of the festival; it's hard work but it’s more than rewarding. Well that’s enough from me, talk soon folks!

Jo Kinsella ¦ Producing inter

Deep into Rehearsals

Deep into Rehearsals

My enduring challenge with curating new work is how to retain a critical distance from it without losing my passion that drew me to the writing in the first place.  I have been meeting with some of our Young Writers group this week, all of whose potential is without doubt.  Yet I still need to push them to question what they do and the theatrical assumptions they make.  

However, as I turn from dramaturg into director, my perspective on the work changes.  As dramaturg, I am looking for ways to continually question the writers.  As director, I have to – at some point – trust the writing completely and begin to conceive of it in 3D.  From this point, together with the actors, we are all stumbling forward, in the dark, flipping back and forth between our hot, passionate, vulnerable eyes and our cold, blue, analytical eyes, questioning everything we had hitherto thought about the play.  We make choices one day and refute them the next; rewrites change the piece overnight. 

The only certainties are: dates, times and venues in the schedule; production meetings where crucial decisions are taken; figuring out how chairs get moved from one venue to another; how long to make the white drapes and choosing which piece gets profiled on social media on any particular day.  Such tangible processes provide the solidity for us, while in rehearsal we continue the more slippery work of exploring what lies beneath the skin of each piece and how we can bring it to life for our audiences.  Only then, with the presence of the audience, do we truly understand the qualities of the work, the mistakes we need to rectify, and - for a moment – gain some certainty, other than our most important certainty: opening night on 7th July, just 3 weeks away!

Patrick Morris / Artistic Director 




Hotbed 4 Weeks Away!

Hotbed 4 Weeks Away!

With Hotbed weekend now just 4 weeks away, we are full steam ahead on all fronts - the final drafts of the Young Writers’ pieces are coming in, auditions for the actors are set for next week, the call is out for the young persons’ One-Page Plays, the community project is really taking shape, the brochure is about to be published, Steve Waters is visiting the ‘jungle’ in Calais, Ed Harris’ What’s Up Doc? commission is ready, and...Cambridge Foodcycle have just confirmed that they will be providing the food over the weekend!  

I’m particularly excited about the Young Writers’ pieces, as I’ve been working with the group since January and they have all put an enormous amount of time, thought and soul into their plays.  We’re producing two of them: ‘Flog’ by Josie Dale-Jones, and ‘The Summer Before Everything’ by Bohdan Tokarsky and Maria Montague.   Both are a brave new step for their respective writers and we’re looking forward to putting them on stage before some eager audiences.  

Patrick Morris I Associate Artistic Director



Hotbed on sale Soon!

Hotbed Theatre Festival 2016

Hotbed Theatre Festival goes on sale on Friday 10 June on the Cambridge Junction website.  We are very excited about this year's programme, and hope that you feel the same way too!